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Life, Movement and the Fabulation of the Event
John Mullarkey
University of Dundee
References
- Allen, Richard (1997) Projecting Illusion: Film Spectatorship and the Impression of Reality. Cambridge: Cambridge University Press.
- American Beauty, film, directed by Sam Mendes. USA: Dreamworks, 1999.
- Bergson, Henri (1911) Matter Memory, trans. Nancy Margaret Paul and W. Scott Palmer. London: George Allen and Unwin.
- Bergson, Henri (1977) The Two Sources of Morality and Religion, trans. R. Ashley Audra and Cloudesley Brereton, with the assistance of W. Horsfall Carter. Notre Dame, IN: Notre Dame Press.
- Bergson, Henri (2007) Creative Evolution, trans. Arthur Mitchell. London: Palgrave Macmillan.
- Chion, Michel (1994) Audio-Vision, trans. Claudia Gorbman. New York: Columbia University Press.
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- Ladri di biciclette, film, directed by Vittorio de Sica. Italy: Produzioni de Sica, 1949.
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- Radford, Colin (1975) `Why are we moved by the Fate of Anna Karenina? ', Proceedings of the Aristotelian Society, Supplementary Volume XLIX, pp. 67—80.
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- Sobchack, Vivian (1992) The Address of the Eye: A Phenomenology of Film Experience. Princeton, NJ: Princeton University Press.
- The Critic, short film, directed by Mel Brooks and Ernest Pintoff. USA: Pintof-Crossbow Productions, 1963.
- The Towering Inferno, film, directed by Irwin Allen and John Guillermin. USA: 20th Century Fox, 1974.
- Titanic, film, directed by James Cameron. USA: Paramount, 1997.
- Umberto D., film, directed by Vittorio de Sica. Italy: Dear Film, 1952.
- Walton, Kendall (1990) Mimesis as Make-Believe: On the Foundations of the Representational Arts. Cambridge, MA: Harvard University Press.
Theory, Culture & Society, Vol. 24, No. 6,
53-70 (2007)
DOI: 10.1177/0263276407078712
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